Visual storytelling across the Arab region for international NGOs, UN agencies, and editorial outlets — with informed consent, dignity, and cultural fluency at the center of every assignment.
For over twelve years I have produced documentary photography and short-form video for international NGOs, UN agencies, and global newsrooms — most often in places where the story is unfolding faster than it can be told. My work moves between long-form portraits, reportage, and short documentary film, with a consistent commitment to the people on the other side of the lens.
I have collaborated with the International Labour Organization (ILO), the Middle East Partnership Initiative (MEPI), GIZ, DAAD, the Embassy of Indonesia in Tunisia, and Al Jazeera Media Network — and worked alongside international correspondent Bel Trew documenting anti-migration policy in Libya, Tunisia, and Niger for The Times and The Independent.
In 2015 my photojournalism was recognised by the Polish Association of Local Newspapers (Stowarzyszenie Gazet Lokalnych). My editorial work has appeared in Vogue Italia, Elements Magazine, En Deux Magazine, Moevir Paris, and GMARO UK.
Field documentary collaboration with award-winning correspondent Bel Trew, covering the human consequences of anti-migration policy in Ben Guerdane and Zarzis. Portraits, B-roll, and interview footage produced under tight ethical protocols — informed consent, anonymisation where required, and culturally sensitive engagement with vulnerable subjects.
Photography and short-form video documenting decent-work, vocational training, and youth employment programmes in Tunisia. Curated stills and edited clips delivered for ILO communications and advocacy use, aligned with UN visual standards and consent requirements.
Documenting community-led civic and youth-empowerment initiatives across multiple Tunisian governorates. Participant portraits and event coverage produced for MEPI grantee programmes and partner reporting — with a focus on the people leading the work, not the logos behind it.
Photography and film documenting German–Tunisian cooperation projects across training, entrepreneurship, and community development — telling the story of the people inside the programmes rather than the structures around them.
Portraits and short documentary content profiling scholarship recipients, alumni, and academic exchange programmes — a portrait series shaped around individual journeys rather than institutional photography.
A commissioned photo report on Bali for the Embassy’s diplomatic and promotional use — cultural, community, and travel narratives told through long-form portraiture and atmospheric reportage.
The story is not mine — it belongs to the person in front of the camera. My work begins with their consent, holds their dignity as a non-negotiable, and ends only when they have been fairly seen.