Stories told with patience, intimacy and consent.

A documentary collaboration with award-winning international correspondent Bel Trew covering migration on Tunisia's southeastern border. The work followed people, boats and first responders along the country's edge — portraits, interviews and the unrecorded daily labour of a coastline that has become a route.

The images draw on a long acquaintance with the south rather than parachute reporting; subjects were photographed at eye level, with informed consent, and only after time was given.

Commissioned by the Embassy of Indonesia in Tunisia, this body of work documented Bali across its families, market streets, working hands and students walking home from school. A document of one place, made by someone arriving from another — and looking long enough to see beyond postcard.

A series of short films produced for the International Labour Organization documenting decent-work programmes, vocational training and youth-employment initiatives across Tunisia. Each piece was made to UN visual standards, with informed consent and safeguarding protocols applied to every subject.

Below: nine films from the series. Click any to watch on YouTube.

A selection of editorial and portrait commissions. Where the documentary work asks for the camera to disappear, this work asks it to look — at posture, fabric, light, gesture. The same eye, addressed to a different question.

Featured internationally in Vogue Italia, Elements Magazine, En Deux Magazine, Moevir Paris and GMARO UK.

An ongoing personal document of southern Tunisia — Amazigh women whose tattooed hands carry an unbroken visual language; mothers raising daughters in the oases at the Sahara's edge; sub-Saharan migrants whose labour and presence have become inseparable from the country's south.

The series refuses the single story. It is about who is here, side by side, and how the south of Tunisia has always been a place of arrivals and stays.